Yoshi's Island Kazoo

A metal kazoo with a 1 euro coin for comparison: 23.25 mm (0.92 inch)

Yoshi's Island is a Spin-Off series of the Super Mario Bros. The games all star Mario's faithful dinosaur steed Yoshi, who originally debuted in Super Mario World. An interesting aspect of the series is that most of the games in the series are Prequels to the rest of the Mario series. Nov 29, 2014 Yoshi's Island DS was a much better sequel to Yoshi's Island than this game, as at least that game didn't bore me in the slightest (despite not being anywhere near as good). Yoshi's New Island is a sad case of a game that should've been better than it actually turned out.

Examples of kazoos

The kazoo is a musical instrument that adds a 'buzzing' timbral quality to a player's voice when the player vocalizes or hums into it. It is a type of mirliton (which itself is a membranophone), one of a class of instruments which modifies its player's voice by way of a vibratingmembrane of goldbeater's skin or material with similar characteristics.

Similar hide-covered vibrating and voice-changing instruments have been used in Africa for hundreds of years, often for ceremonial purposes.

Playing[edit]

A kazoo player hums, rather than blows, into the bigger and flattened side of the instrument. [1] The oscillating air pressure of the hum makes the kazoo's membrane vibrate.[1] The resulting sound varies in pitch and loudness with the player's humming. Players can produce different sounds by singing specific syllables such as doo, ‘’too’’, who, rrrrr or brrrr into the kazoo.

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Yoshi's Island Athletic Theme

Some people refer to the kazoo's membrane as a reed, considering it performs the same action in the kazoo as it would a woodwind instrument, however reeds are made of cane (or a synthetic equivalent), while the membrane (most commonly made of waxy paper) is not.[citation needed]

History[edit]

Machines at the Kazoo Factory and Museum
Kazoo manufacturing steps

It's popularly believed that Alabama Vest, an African-American in Macon, Georgia, was the one who invented the kazoo around 1840, although there is no documentation to support that claim.[2] The story originated with the Kaminsky International Kazoo Quartet, a group of satirical kazoo players, which may cast doubt on the veracity of the story,[3] as does the name 'Alabama Vest' itself.

In 1879, Simon Seller received a patent for a 'Toy Trumpet' that worked on the same principle as a kazoo: 'By blowing through the tube A, and at the same time humming a sort of a head sound, a musical vibration is given to the paper covering c over the aperture b, and a sound produced pleasing to the ear.'[4] Seller's 'toy trumpet' was basically a hollow sheet-metal tube, with a rectangular aperture cut out along the length of the tube, with paper covering the aperture, and a funnel at the end, like the bell of a trumpet. The first documented appearance of a kazoo was that created by an American inventor, Warren Herbert Frost,[2] who named his new musical instrument kazoo in his patent #270,543 issued on January 9, 1883. The patent states, 'This instrument or toy, to which I propose to give the name 'kazoo' '..'[5] Frost's kazoo did not have the streamlined, submarine shape of modern kazoos, but it was similar in that the aperture was circular and elevated above the length of the tube. The modern kazoo—also the first one made of metal—was patented by George D. Smith of Buffalo, New York, May 27, 1902.[2][6]

In 1916, the Original American Kazoo Company in Eden, New York started manufacturing kazoos for the masses in a two-room shop and factory, utilizing a couple of dozen jack presses for cutting, bending and crimping metal sheets. These machines were used for many decades. By 1994, the company produced 1.5 million kazoos per year and was the only manufacturer of metal kazoos in North America.[7][8] The factory, in nearly its original configuration, is now called The Kazoo Factory and Museum. It is still operating, and it is open to the public for tours.[2]

In 2010, The Kazoo Museum opened in Beaufort, South Carolina with exhibits on kazoo history.[9]

Professional usage[edit]

Problems playing this file? See media help.

The kazoo is played professionally in jug bands and comedy music, and by amateurs everywhere. It is among the acoustic instruments developed in the United States, and one of the easiest melodic instruments to play, requiring only the ability to vocalize in tune.[2] In North East England and South Wales, kazoos play an important role in juvenile jazz bands. During Carnival, players use kazoos in the Carnival of Cádiz in Spain and in the corsos on the murgas in Uruguay.

National Youth Administration: 'rhythm band' plays in Sandwich, Illinois, 1936

Yoshi's Island Flash

In the Original Dixieland Jass Band 1921 recording of Crazy Blues, what the casual listener might mistake for a trombone solo is actually a kazoo solo[2] by drummer Tony Sbarbaro.

Red McKenzie played kazoo in a Mound City Blue Blowers 1929 film short.[10] The Mound City Blue Blowers had a number of hit kazoo records in the early 1920s featuring Dick Slevin on metal kazoo and Red McKenzie on comb and tissue paper (although McKenzie also played metal kazoo). The vocaphone, a kind of kazoo with a trombone-like tone, was occasionally featured in Paul Whiteman's Orchestra.[11] Trombonist-vocalist Jack Fulton played it on Whiteman's recording of Vilia (1931) and Frankie Trumbauer's Medley of Isham Jones Dance Hits (1932). The Mills Brothers vocal group originally started in vaudeville as a kazoo quartet, playing four-part harmony on kazoo with one brother accompanying them on guitar.[12]

The kazoo is rare in European classical music. It does appear in David Bedford's With 100 Kazoos, where, rather than having professionals play the instrument, kazoos are handed out to the audience, who accompany a professional instrumental ensemble.[2]Leonard Bernstein included a segment for kazoo ensemble in the First Introit (Rondo) of his Mass. The kazoo was used in the 1990 Koch International and 2007 Naxos Records recordings of American classical composer Charles Ives' Yale-Princeton Football Game, where the kazoo chorus represents the football crowd's cheering. The brief passages have the kazoo chorus sliding up and down the scale as the 'cheering' rises and falls.

In Frank Loesser's score for the 1961 Broadway musical comedy How to Succeed in Business Without Really Trying, several kazoos produce the effect of electric razors used in the executive washroom during a dance reprise of the ballad I Believe in You.

In 1961 Del Shannon's 'So Long Baby' issued on Big Top Records featured a kazoo on the instrumental break. In addition to the single release it featured on the UK London American release of his album Hats Off To Del Shannon. Joanie Sommers' 1962 hit single 'Johnny Get Angry' featured a kazoo ensemble in its instrumental bridge, as did Ringo Starr's 1973 cover of 'You're Sixteen'.

Jesse Fuller's 1962 recording of his song 'San Francisco Bay Blues' features a kazoo solo,[13] as does Eric Clapton's 1992 recording of the song on MTV's Unplugged television show and album. On the song 'Alligator' on the Grateful Dead album Anthem of the Sun three members of the band play kazoo together. Many Paolo Conte performances include kazoo passages.

Short kazoo performances appear on many modern recordings, usually for comic effect. For example, in his first album, Freak Out!, Frank Zappa used the kazoo to add comic feel to some songs[2] — including one of his best known, 'Hungry Freaks, Daddy'. In the song 'Crosstown Traffic' from the album Electric Ladyland, Jimi Hendrix used a comb-and-paper instrument to accompany the guitar and accentuate a blown-out speaker sound.[2][14] The song 'Lovely Rita', from the Beatles album Sgt. Pepper's Lonely Hearts Club Band, uses combs-and-paper instruments.[2][15] Kazoo playing parodied the sound of a military brass band in the Pink Floyd song 'Corporal Clegg'.[16]

In the McGuinness Flint recording When I'm Dead and Gone, Benny Gallagher and Graham Lyle play kazoos in harmony during the instrumental break. The New Seekers' live track (Ever Since You Told Me That You Loved Me) I'm A Nut features a kazoo solo by singer Eve Graham. British singer-songwriter Ray Dorset, the leader of pop-blues band Mungo Jerry, played the kazoo on many of his band's recordings, as did former member Paul King.

One of the best known kazooists of recent times is Stewart (1941–2011).[2] Stewart, a classically trained singer, wrote a book on the kazoo, formed the 'quartet' Kazoophony, performed kazoo at Carnegie Hall and on the Late Night with Conan O'Brien television show.[2][17] The steampunk band Steam Powered Giraffe has audience members play kazoos at some of their concerts. They also sell Kazookaphones, a standard kazoo with optional bugle horn and phonograph.

The kazoo is used regularly on the radio show I'm Sorry I Haven't a Clue.

The video game Yoshi's New Island, released in 2014, has synthesized kazoos in several tracks of its soundtrack.[18]

The American glam metal band Steel Panther released in December 2014 the Christmas track 'The Stocking Song', which includes a kazoo hook from Deck the Halls.

The Australian psychedelic rock band Tame Impala released a single in 2009 'Sundown Syndrome', which includes kazoo rhythmic part.

The Swedish rock band Ghost have performed live acoustic renditions of their song 'Ghuleh/Zombie Queen', which features the kazoo in place of the recorded version's keyboards.

The Ukrainian polka band Los Colorados released a cover of Rammstein song 'Du Hast', which features a kazoo.[19]

South Korean singer Kim Jonghyun was known for his use of the kazoo in his solo concerts, most notably 'The Story by Jonghyun' concert series which continued from 2015 until his death in 2017.

Records[edit]

On March 14, 2011, the audience at BBC Radio 3's Red Nose Show at the Royal Albert Hall, along with a star-studded kazoo band, set a new Guinness World Record for Largest Kazoo Ensemble. The 3,910 kazooists played Wagner's Ride of the Valkyries and the Dambusters March.[20] This surpassed the previous record of 3,861 players, set in Sydney, Australia in 2009.[21] The current record of 5,190 was set later the same night in a second attempt.[20]

On August 9, 2010 the San Francisco Giants hosted a Jerry Garcia tribute night, in which an ensemble of an estimated 9,000 kazooists played Take Me Out to the Ball Game.[22]

Yoshi's Island Kazooie

See also[edit]

Notes[edit]

  1. ^ abHow to Play Kazoo, Kazoos.com, 2013, accessed July 12, 2013
  2. ^ abcdefghijklHarness, Jill, Great Moments In Kazoo History, Mental Floss, January 28, 2012, accessed July 12, 2013
  3. ^Jensen-Brown, Peter. 'Bazoo, Kazoo, Bazooka, From Playful Instrument to Instrument of War (a History and Etymology of Kazoo and Bazooka)'. Early Sports 'n' Pop-Culture History Blog. Retrieved 2 May 2017.
  4. ^Seller, Simon. 'US Patent 214,010'. Google Patents. Retrieved 2 May 2017.
  5. ^Kazoo Patent, U.S. Patent Office, Washington, D.C., accessed July 12, 2013
  6. ^Smith's Kazoo Patent, U.S. Patent Office, Washington, D.C., accessed July 12, 2013
  7. ^Allen, Frederick (Winter 1994). 'The Kazoo Monopoly'. American Heritage of Invention & Technology. 9 (3). Archived from the original on 1 April 2016. Retrieved 18 August 2014.
  8. ^Wolk, Bruce H. (2009). Made here, baby! the essential guide to finding the best American-made products for your kids. New York: American Management Association. p. 258. ISBN9780814413890. Retrieved 18 August 2014.
  9. ^Jordan, Meredith (October 7, 2010). 'Kazoo factory tunes in to Beaufort County'. Bluffton Today. Retrieved October 26, 2010.
  10. ^Mound City Blue Blowers 'St. Louis Blues' 1929, performance video 1929, accessed July 12, 2013
  11. ^Rayno, Don (19 December 2012). Paul Whiteman: Pioneer in American Music, 1930-1967. Scarecrow Press. pp. 608–. ISBN978-0-8108-8322-2. Retrieved 12 July 2013.
  12. ^The Mills Brothers - InducteesArchived 2008-10-15 at the Wayback Machine, Vocal Group Hall of Fame, accessed July 12, 2013
  13. ^Peter Siegel, liner notes to Friends of Old Time Music (Smithsonian Folkways, SFW40160) Media.smithsonianglobalsound.org
  14. ^Crosstown Traffic by Jimi Hendrix, Songfacts, 2013, accessed July 12, 2013
  15. ^Lewisohn, Mark (1988). The Beatles Recording Sessions. New York: Harmony Books. ISBN0-517-57066-1.
  16. ^Corporal Clegg by Pink Floyd, Songfacts, 2013, accessed July 12, 2013
  17. ^Stewart, Barbara (2006). The Complete How to Kazoo [With Kazoo]. Workman Publishing Company. ISBN978-0-7611-4221-8. Retrieved July 12, 2013.
  18. ^Orland, Kyle (13 March 2014). 'Review: Yoshi's New Island is a solid new Yoshi's Island'. Retrieved 14 August 2016.
  19. ^LosColoradosBand (2012-05-24), Los Colorados - Du Hast (Official Rammstein Cover), retrieved 2018-07-16
  20. ^ abLargest Kazoo Ensemble, Guinness World Records, 2013, accessed July 12, 2013
  21. ^BBC Radio 3's Red Nose Show breaks Guinness World Records title for largest ever kazoo ensemble, Big Red Nose Show, March 15, 2011, accessed July 12, 2013
  22. ^Kukura, Joe (August 2010). 'Giants Fans' Kazoos Create World Record Buzz'. NBC Bay Area. NBC Universal, Inc. Retrieved 2010-08-14.

Further reading[edit]

Yoshi
  • Roberto Leydi; Febo Guizzi (2002). Gli strumenti della musica popolare in Italia. Libreria musicale italiana. ISBN978-88-7096-325-0. Retrieved 12 July 2013. Invaluable survey of popular instruments in use in Italy, ranging from percussion, wind and plucked instruments to various noise makers.
  • Kassinger, Ruth (30 January 2004). Build a Better Mousetrap: Make Classic Inventions, Discover Your Problem-Solving Genius, and Take the Inventor's Challenge. John Wiley & Sons. ISBN978-0-471-42991-3. Retrieved 12 July 2013.
  • Lombardi, Fabio (2000). Canti e strumenti popolari della Romagna bidentina: canzoni, ninne-nanne, filastrocche, balli, canti di nozze, stornelle, urli, bovare, strumenti e altro ancora, in una memorabile raccolta dei canti e della musica popolare della valle del Bidente. Il Ponte Vecchio. ISBN978-88-8312-087-9. Retrieved 12 July 2013.
  • Lombardi, Fabio (1989). I suoni perduti: mostra di strumenti musicali popolari romagnoli, Teatro Comunale G.A. Dragoni, 26-29 agosto 1989 : raccolti da Fabio Lombardi nella vallata del Bidente, Comuni di. Centro stampa provincia. Retrieved 12 July 2013.
  • McGlynn, Don, 1986, The Mills Brothers Story, VHS, Kultur Videos, OCLC26796337

External links[edit]

Wikimedia Commons has media related to Kazoo.
  • The Original Kazoo Company, kazoo museum and manufacturer based in Eden, N.Y.
  • Kazooco, kazoo museum and historic manufacturer
  • 'This is a kazoo!' Captain Kazoo: The world's largest private kazoo collection. More history, including details on the mirliton.
  • The Kazoo Museum, website of the Beaufort, South Caroline kazoo museum
  • Miss G and her Blues Kazoo, Woodstock Wooden Kazoo in Woodstock, New York
  • Doc Kazoo and his Wooden Folk Kazoo, in Lake Seneca, Florida
  • The Association of American Kazoologists, Information, including history, design and construction, of the kazoo

Yoshi S Island Koopa Boss

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Kazoo&oldid=945774012'

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Go To

Beware of unmarked spoilers!

  • Alternate Character Interpretation: Oddly, the strategy guide to Yoshi's Island states that Sluggy the Unshaven is just trying to give Yoshi a friendly hug in his boss battle. Which explains why in order to defeat him you have to break his heart.
  • Animation Age Ghetto: The games have a hard time catching up to the main Mario series due to their very childish artstyle, abundance of baby characters, and cutesy protagonist - even after the adult Bowser was introduced as a Big Bad. Yoshi's Story, Yoshi's Island DS and Yoshi's New Island in particular suffer from this: the former is specifically designed for young children, while the latter two have a more childish soundtrack than previous installments (largely played on toy xylophones [in the case of DS], kazoos [in the case of New] and other toy-like instruments).
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  • Ass Pull: After defeating baby Bowser in Yoshi's New Island, adult Bowser appears out of nowhere from time and space to prevent his defeat as an infant. The game itself even lampshades how sudden and forced his appearance is.
    Suddenly.. warping through space and time.. King Bowser appears!
  • Awesome Music: Let's see, the final boss, the overworld theme, the underground.. Really, the entire soundtrack.
  • Big-Lipped Alligator Moment: Upon clearing World 2 in Yoshi's Island DS, you're treated to a Cut Scene where Yoshi attempts to carry all three (at the time) babies at once. Unlike the other cinematics, this does not move the plot one inch. It is also Captain Obvious and Department of Redundancy Department, since it's already been said that Yoshi can only carry one baby at a time.
  • Breather Boss: Salvo the Slime in the original cannot directly harm Yoshi, Cloud N. Candy in Yoshi's Story heals Yoshi when eaten and Gilbert the Gooey in Yoshi's Island DS has very avoidable attacks. Funnily, two of the three mentioned examples are the first world's end boss, and usually come after a somewhat more difficult first boss in said world. Marching Milde is also one of these, considering his only 'attack' is walking back and forth.
  • Broken Base:
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    • Yoshi's New Island on 3DS is getting a bit of this for the graphics. Instead of reusing the 'coloring book' look of the previous two games, the developers have chosen a style that resembles Yoshi's Island's artstyle mixed with Yoshi's Story pre-rendered 3D visuals, with backgrounds looking more painted and characters looking like claymation. Some love the style and think it fits in well with the usual Yoshi's Island aesthetic while still giving the game its own identity, while others think it looks bland and lacks the charm of the previous games' coloring book style.
    • Not to the same extent, but some feel the name 'Yoshi's New Island' is bland and unoriginal because Nintendo already used the 'New' naming for their New Super Mario Bros. series of 2D platformers, and that Nintendo in general needs to stop adding the word 'New' to games that act as revivals of older gameplay styles. Not helping is that it was confirmed that Nintendo once considered calling The Legend of Zelda: A Link Between Worlds 'New Legend of Zelda' due to the game being a throwback to Zelda's early years. Others think it's okay becuase there's actually a 'New' Yoshi's Island in the form of Egg Island.
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    • The fact that Yoshi's New Island's opening cancels out the original's ending by including a twist that the parents who were brought the Mario Bros. are actually not their parents at all also has the fanbase split between the people who don't mind it & find it hilarious and the people who think that this is very disrespectful of the original Yoshi's Island's ending, which was considered a Heartwarming Moment.
    • Yoshi's New Island in general. Some think It's the Same, Now It Sucks!, some think it's So Okay, It's Average, and still others like it because it's a love letter to the original and not DS.
    • The fact that this series gave the Mario Bros. an origin story by having them be born and raised in the Mushroom Kingdom instead of the old 'Mario & Luigi are plumbers from Brooklyn, New York who took a Magic Pipe into the Mushroom Kingdom' from the movie and the cartoons. Certain fans (particularly older ones) were against this idea and thought that the Brooklyn origin made way more sense and that the Mushroom Kingdom origin had way too much Fridge Logic in it. Other fans think it's really no big deal and are perfectly okay with the Mushroom Kingdom origin (and often point out that the Brooklyn origin was made up by Nintendo of America to begin with and now of course we have New Donk City featuring in Mario Odyssey too).
    • The GBA version of the original game. As with the other Super Mario Advance titles, it's either a Polished Port with creative exclusive levels, or a Porting Disaster plagued with screen crunch, washed out colors, missing graphical effects, low quality music, and voice acting.
  • Contested Sequel: Every Yoshi game that attempted to follow up on the original was met with this reaction and for different reasons: Story for being too short and easy, DS for the implementation of its babies and difficult level design, and New Island for hewing too closely to the original and its bland level design. Yoshi's Woolly World reversed the trend by being met with a lot of acclaim.
  • Critical Research Failure: When you are inside Prince Froggy, you are supposed to Attack Its Weak Point, which turns out to be its uvula. The problem is that only humans have uvulas (Granted, he's not exactly your everyday frog).
  • Designated Villain: Baby Bowser in the original can come across as this. He doesn't even seem aware of Kamek's actions at all, instead merely acting on instinct (curiosity, irritability, etc.) just like any other baby.
  • Ensemble Dark Horse: Raphael the Raven, the fifth world boss of the original Yoshi's Island, proved popular enough to reappear in Paper Mario 64 doing a Heel–Face Turn.
    • Lunge Fish are a mook example. In the first game, they only appear in the final area of level 3-7. Doesn't stop them from being notable enemies within the franchise and undoubtedly contributed to their appearances in later games.
  • First Installment Wins: The original Yoshi's Island is much more well-regarded than any of its platforming sequels. In fact, after mixed reception to DS, Yoshi's New Island had been presented like a successor to the original, only to still be not as well-liked.
  • Game-Breaker: Collectible items like those Bullet Watermelons. It's very easy to use them to just blast thorns to pieces, since the seeds can destroy thorns on contact and you get an absolute ton of them from just one melon. Even Extra 6, one of the most brutal levels, becomes a cakewalk with just 2 or 3 in stock. Naturally, they were removed in the DS sequel.
  • Genius Bonus: Do the stars and moon from the second scene of 6-7 look familiar? They're from Vincent Van Gogh's The Starry Night.
  • Goddamned Bats:
    • Bandits can easily be these, as they run away with Baby Mario quickly and can jump onto small platforms through hordes of enemies with no problem. Solo Toadies are similar examples, except they can fly. God forbid one gets caught behind some death spikes with the baby..
    • The literal bats found in cave levels. Especially in Yoshi's Island DS when the bats just keep re-spawning.
    • The large fish that squirts a barrier of water, forcing you to wait until he ducks down.
    • Green Gloves, for their ability to catch eggs and throw them at you. Getting hit by an egg doesn't hurt you, but it does knock you back. It's mostly a nuisance, but it can be a serious threat if there is a Bottomless Pit or Spikes of Doom nearby. It's especially noticeable in Kamek's Revenge, the Nintendo Hard extra level of World 5 in the original game.
  • Good Bad Bugs:
    • The one-way gates can be opened from the wrong side by throwing an egg into them while standing as close as possible.
    • Red Coins held by stationary Fly Guys (i.e., the ones that don't fly away) can be duplicated. Cause the coin to drop (without picking it up), have the Fly Guy respawn by walking away so their spawn point is offscreen, and come back to find a new Fly Guy carrying another coin. You can get 2-3 coins per Fly Guy if you're quick. Sadly, this was fixed for the GBA version.
    • Jumping at the same time as entering a pipe will skip the animation that's supposed to play, saving a bit of time if you're speedrunning.
    • Entering pipes or secret entrances in unintended ways (too high on the y-axis due to standing on an enemy, coming from the wrong end of certain pipes or unintended angles that you're not supposed to reach, etc.) will cause the game to send you back to World 1-1. Beating the level like this will count as beating whatever level you came from when activating the glitch.
    • Killing Hookbill the Koopa while he's still in his 'falling over' animation will cause his shell to fly offscreen and fling Yoshi to into the air during the death animation.
    • A programming oddity causes one of the introductions screens right when starting a level (that shows the level number and name) to stay on the screen longer than it usually does. Fittingly enough, it was The Very Loooooooong Cave. However, the GBA version fixed this, so it is only in the original version.
    • It's possible, with incredibly good timing, not only to keep on flutter jumping forever, but go gain height with each flutter. This makes it possible to skip the auto-scrolling on some stages, making it possible to go much faster than the game otherwise anticipates.
  • Hilarious in Hindsight: Yoshi's Island is not the first time we've seen baby versions of the cast. Mario, Luigi and King Koopa (Bowser's animated counterpart) turned into babies in an episode of The Adventures of Super Mario Bros. 3 five years before the game was released.
  • It's the Same, Now It Sucks!: Yoshi's New Island for reusing level ideas and feeling like an expansion for the original Yoshi's Island. Funny since it was in response to Yoshi's Island DS's They Changed It, Now It Sucks!, though fans who criticize both tend to just dislike Artoon/Arzest in general.
  • It's Easy, So It Sucks!: Yoshi's New Island also got this. Going for 100% is still quite the challenge though, especially because of the invisible clouds and the secret levels, as well as getting to face adult Bowser.
  • Memetic Mutation:
    • The 'Touch Fuzzy, Get Dizzy' level.
    • The music in New Island has become memetic in certain areas of the web. Special mention goes to Vinesauce, where kazoos actually became associated with Yoshi as a whole.
    • Baby Mario's annoying cry.
    • Videos of people/characters crying or screaming being synced up with the high-pitched horn sound 10 seconds into the music track 'Flower Garden'.
  • Moment of Awesome: The final boss fight with Baby Bowser in the original. It can really get one's adrenaline going while they throw giant eggs at the advancing boss.
  • Most Wonderful Sound: The sound of getting all the red coins. Try getting that last red coin when you're also one away from a 1-Up.
  • Older Than They Think:
    • Many gameplay mechanics commonly assumed to have debuted in Super Mario 64 — such as the ground pound and red coins — actually first appeared in the SNES Yoshi's Island.
    • Yoshi's Island is also the first game to feature a certain remix of the Starman theme.
    • The series itself is Older Than They Think. Although the main platformers started with Super Mario World 2: Yoshi's Island, the first game starring Yoshi was in fact Yoshi's Egg (aka simply Yoshi), predating the Yoshi's Island by four years. Even then, three other Yoshi games were released between Yoshi's Egg and Yoshi's Island.
  • Polished Port: The Game Boy Advance port of the first game, while having a slight screen crunch due to the handhelds low resolution and a minor drop in sound quality, is an all around solid port. It adds new voice clips for the Yoshis, makes Baby Mario's crying much less annoying and makes the timer go down slower than before, and adds all new bonus levels to unlock for each world.
  • Scrappy Mechanic:
    • The baby-switching in Yoshi's Island DS, especially because it's mandatory for most levels, and all babies but Baby Mario are extremely slow, which ruins speedruns. You also can't switch between levels, so you might end up with the worst baby for the next level, and you'll have to backtrack to switch to the preferred baby (and then you have to find a level that you can beat using it to keep it). Needless to say, it was axed for Yoshi's New Island.
    • Poochy, as he's very difficult to control.
    • The invisible clouds in Yoshi's New Island, which most of the secrets are hidden in now. It creates a lot of Fake Difficulty.
    • Another one from Yoshi's New Island is the redesigned vehicle sections which use tilt controls.
    • Should Yoshi's feet touch solid ground within the first one or two seconds of getting hit and dropping Baby Mario, Yoshi will stop moving for a second to shake his head. Even worse, if Yoshi gets hit again while Baby Mario is in the air (or if he gets hit at any time by a Gusty), he'll be sent spinning backwards before doing the same. This can get aggravating when going for 100% Completion as it makes easy mistakes waste precious stars.
  • So Okay, It's Average:
    • To the people who don't dislike Yoshi's New Island, this seems to be a somewhat general consensus. A good amount of critics agree it's certainly not a 'bad game', but because it's still seen as not living up to the SNES original it's generally regarded with opinions of 'it's okay, but not great.'
    • Island DS is considered this by some fans of the first game. It has a host of good ideas such as multiple babies and interesting bosses, but is brought down by what some consider to be unfair design in many areas.
  • Surprise Difficulty: Particularly Yoshi's Island DS, but the original was no cakewalk either, especially if you were going for 100% in every level.
  • Suspiciously Similar Song: The opening music box tune that plays during the prologue has main melody that sounds like the Soviet National Anthem of all things, though that's because both songs use the very common 'Pachelbel's Canon' Progression.
  • Tear Jerker: The music box that plays in the original game as the story is told.
  • That One Level:
    • Getting 100% on any of the levels in World 5 of the first game is quite the feat. Taken Up to Eleven with its Bonus Level where even surviving, much less getting 100%, is very difficult because of the Platform Hell. The deathtrap can be prevented but that's a Guide Dang It! in itself.
    • Simply put, nearly all of the extra stages in the first game are this, with the exception of World 6's (when using items), which is more like a pat on the back for finishing the game.
    • The new Secret levels in the GBA port, especially Endless World of Yoshis/Crazy Maze Days for being extremely long, nearly Platform Hell and a maze to boot.
    • Any secret level in the DS game, for being Platform Hell. Notable among them is 'Welcome to Yoshi Tower!'. Rising lava, only just enough stars to max out your counter, loads of hazards, andno checkpoints.
    • Most of the secret levels in the 3DS game are also very hard, though 4-S in particular stand out as it has the dreaded return of Poochy combined with loads of thorns and barely enough time to jump over them.
    • Slime Drop Drama from the 3Ds game is normally fine to beat, but doing it without taking damage with 30 stars can be really annoying, the first room might have a crate of five stars, but you might just have to get red eggs, enter and exit a locked door over and over again and pin down the Shy Guys or Snifits. And there is barely anything besides the middle ring and three Snifits tucked within walls during a moving platform segment to supply you with stars in the second room. Kamek can easily become That One Boss trying to get through without getting hit.
  • They Changed It, Now It Sucks!:
    • Yoshi's Island DS for its baby-hopping Scrappy Mechanic, hugeSequel Difficulty Spike (while the old one was only difficult when you were going for 100%) and lack of inventory items. Arzest listened to this and made Yoshi's New Island, which fans complained was too much of the same.
    • Even Yoshi's New Island gets this in a couple of places, particularly the redesigned vehicle sections and the fact that checkpoints no longer record how many stars the player had.
    • Yoshi's New Island also catches flak for changing the theme just before the proper start of the game from this to this (which is now associated with the phrase 'The ass band will play a song of farts to celebrate your failure.')
  • Tough Act to Follow: The original, inevitably leading to Contested Sequels. It doesn't help that every Yoshi game afterwards wasn't developed by Nintendo EAD, with the exception of Yoshi's Story, which actually has been Vindicated by History a long time after its release.
  • Vindicated by History: Yoshi's Story and Yoshi's Island DS are getting some sympathy after the release of Yoshi's New Island. The SNES Yoshi's Island was at first, overlooked by (at the time) the more hyped Donkey Kong Country 2: Diddy's Kong Quest. Come a few years later, it started being considered one of the best platformers that was on the SNES.
  • Visual Effects of Awesome: Thanks to the powerful Super FX 2 chip,note many effects were employed here that were thought to be impossible on the SNES note .
  • Woolseyism: The Make My Monster Grow bosses' Japanese names literally translate to Big <enemy>. The localized versions give them all unique titles. The same happened to Prince Froggy, who shared his name with his species (Gerogēro, localized as Frog Pirate) in the Japanese version.